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Oral history Interviews with Lemoin Thompson [i.e. Buddy Esquire] and Charlie Chase, Motor City Bar, New York, NY, July 15, 2001

Interviewee Buddy Esquire
Interviewee Charlie Chase
Interviewer Jim Fricke
Date2001
Credit LineMoPOP permanent collection
Object number2001.343.2
Text Entries

Buddy Esquire (Lemoin Thompson, b.1958 – 2014) is a graphic designer from the Bronx. Producing 300 graphic materials in the form of flyers, Buddy Esquire was the most well-known show flyer artist in the Bronx in the early days of Hip-Hop, from 1978 to 1982. Grandmaster Flash, Afrika Bambaataa, Kool Herc, the Funky 4 Plus 1, and the Cold Crush Brothers were among the Hip-Hop legends whose early performances were advertised on his flyers. He was self-taught and learned drawing and typography principles from books at his local library. Graffiti, Japanese anime, superhero comics, and Art Deco architecture were among his influences. Buddy Esquire's visual styles helped to set the tone for Hip-Hop, where his work used jukeboxes and historic theater marquees as inspiration.

Cold Crush Brother’s original lineup consisted of DJ Tony Tone (Angelo King), Easy AD (Adrian Harris), DJ Charlie Chase (Carlos Mandes, b. 1959), Grandmaster Caz (Curtis Brown, b. 1960), Almighty KG (Kenneth Pounder), JDL (Jerry Dee Lewis), and Money Ray (Eric Hoskins). Whipper Whip (James Whipper) and DotA-Rock (Darryl Mason) were original members, but eventually, Whipper Whip and Dot-A-Rock left and joined the Fantastic Five, which they considered to be a more established group at the time. Cold Crush Brother member, DJ Tony Tone came up with the name, saying the name Cold Crush meant anybody could get crushed, cold crushed, no remorse. The Cold Crush Brothers were known for their remarkable routines which included harmonies, melodies, and stage-stomping performances. The Cold Crush Brothers set the standard for emceeing. They built the reputation as the Rolling Stones of Hip Hop. Because of the attention they began to attract, many groups would try to battle them to gain Rap credibility and Hip-Hop superiority.

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