The Concord Jazz Tour: Featuring the L.A. Four, Herb Ellis and Barney Kessel, Ernestine Anderson, and Plas Johnson, at the Paramount, Portland, OR, May 3, 1977
This poster advertises performances by artists signed to Concord Jazz. The label had been founded three years earlier and was named after the annual Concord Jazz Festival, founded by owner Carl Jefferson (1919-1995). Ernestine Anderson (1928-2016) would connect with the label and reignite her career, after taking a hiatus from the music industry for a number of years. She released a full-length album Hello Like Before the same year as this tour.
Anderson was born in Houston, Texas but moved with her family to Seattle in 1944. In Seattle, she quickly became immersed in the Jackson Street Jazz scene and performed alongside a young Quincy Jones (b. 1933) in the Junior Band led by Robert “Bumps” Blackwell (1918-1985). At 18, Anderson began touring with Johnny Otis (1921-2012) and at 24 she was performing with Lionel Hampton’s (1908-2002) Jazz orchestra. While her first album was a hit in Europe, she struggled to gain traction in the United States. Between 1966 and 1974, Anderson returned to Seattle and took a break from the music world. By 1975 Anderson was performing again and in 1976 she secured a contract with Concord Records which would help launch the second half of her music career. Between 1976 and 2004 Anderson truly thrived; she received four Grammy nominations, toured around the globe and performed at prestigious venues like Carnegie Hall and the Kennedy Center.
Anderson also received honors closer to home. In 2002 the Bumbershoot Festival gave her the Golden Umbrella Award and in 2004 the Pacific Northwest Chapter of the Recording Academy gave her the IMPACT award. Within Seattle, November 11 is officially Ernestine Anderson Day and both a section of Jackson Street and a low-income housing complex bear her name. A series of community events titled “Celebrating Ernestine Anderson” were held in November 2021 to honor Anderson’s legacy in Seattle.
