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Ernestine Anderson The Toast Of The Nation's Critics
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Ernestine Anderson The Toast Of The Nation's Critics

Manufacturer Mercury Records
Record company Mercury Records
Performing artist Ernestine Anderson
Associated name EMP Women's History Project
Subject Ernestine Anderson
Visual image Ernestine Anderson
Liner notes author Ralph J. Gleason
Date1959
Mediumpolyvinyl chloride; cardboard; ink
DimensionsOverall (Diameter) (disc): 11 7/8 in. (30.163 cm)
Overall (HWD) (sleeve): 12 3/8 × 12 3/8 in. (31.433 × 31.433 cm)
Credit LineMoPOP permanent collection
Object number1997.342.535.A, .B
Text Entries

The Toast of the Nation’s Critics is the second full-length album from Ernestine Anderson (1928-2016). It was released in 1959 by Mercury Records, the same year Anderson was voted one of the top female singers by readers of Down Beat magazine.

Anderson was born in Houston, Texas but moved with her family to Seattle in 1944. In Seattle, she quickly became immersed in the Jackson Street Jazz scene and performed alongside a young Quincy Jones (b. 1933) in the Junior Band led by Robert “Bumps” Blackwell (1918-1985). At 18, Anderson began touring with Johnny Otis (1921-2012) and at 24 she was performing with Lionel Hampton’s (1908-2002) Jazz orchestra. While her first album was a hit in Europe, she struggled to gain traction in the United States. Between 1966 and 1974, Anderson returned to Seattle and took a break from the music world. By 1975 Anderson was performing again and in 1976 she secured a contract with Concord Records which would help launch the second half of her music career. Between 1976 and 2004 Anderson truly thrived; she received four Grammy nominations, toured around the globe and performed at prestigious venues like Carnegie Hall and the Kennedy Center. 

Anderson also received honors closer to home. In 2002 the Bumbershoot Festival gave her the Golden Umbrella Award and in 2004 the Pacific Northwest Chapter of the Recording Academy gave her the IMPACT award. Within Seattle, November 11 is officially Ernestine Anderson Day and both a section of Jackson Street and a low-income housing complex bear her name. A series of community events titled “Celebrating Ernestine Anderson” were held in November 2021 to honor Anderson’s legacy in Seattle.

 12” phonograph record with white label. A side text reads: “Mercury Records / Promotional Record / 1. Runnin’ Wild / 2. Stardust / 3. Heat Wave / 4. My Ship / 5. Azure-Te / MG-20400 / Side 1 / A Custom High Fidelity Recording / Ernestine Anderson / For Broadcast Only / Not for Sale / Mercury Record Corp. / Chicago, Ill. U.S.A.” B side text reads: “Mercury Records / Promotional Record / 1. Welcome to the Club / 2. There’s a Boat Dat’s Leavin’ Soon for New York / 3. Social Call / 4. There Will Never Be Another You / 5. A Sleepin’ Bee / 6. Interlude / MG-20400 / Side 2 / A Custom High Fidelity Recording / Ernestine Anderson / For Broadcast Only / Not for Sale / Mercury Record Corp. / Chicago, Ill. U.S.A.” 

Album jacket. Front cover features black and white photograph of Ernestine Anderson singing. Text in multiple colors printed on front reads: “Ernestine Anderson / Mercury Records / The Toast of the Nation’s Critics / “The best new voice in the business -” / “Quite frankly, I don’t know when I have heard an LP by an unknown singer that has been so exciting. The new singer of the year is obviously Ernestine Anderson.” Ralph J. Gleason – Hi Fi and Music Review / “Miss Anderson demonstrates conclusively the makings of greatness in her field.” Russ Wilson – Oakland Tribune / High Custom Fidelity / Mercury MG 20400 / Ernestine Anderson / The Toast of the Nation’s Critics” Back cover features black and white photograph of Ernestine Anderson singing, and two essays by Ralph J. Gleason titled “About the Artist” and “About the Music.” Track list on back cover reads: “Runnin’ Wild (A. H. Gibbs, Joe Grey & Leo Wood) Leo Feist, Inc. (Ascap) 1:35. / Stardust (Hoagy Carmichael & Mitchell Parish) Mills Music, Inc. (Ascap) 4:33. / Heat Wave (Irving Berlin) Irving Berlin Music Corp. (Ascap) 1:49. / My Ship (Ira Gershwin & Kurt Weill) Chappell & Co., Inc. (Ascap) 4:38. / Azure-Te (Bill Davis & Don Wolf) Gale & Gayles, Inc. (BMI) 2:54. / Welcome to the Club (Mel Torme) Torme Music (Ascap) 4:20. / There’s a Boat Dat’s Leavin’ Soon for New York (Ira Gershwin & George Gershwin) Gershwin Publ. Corp. (Ascap) 2:14. / Social Call (Gigi Gryce & Jon Hendricks) Totem Music, Inc. (Ascap) 2:41 / There Will Never Be Another You (Mack Gordon & Harry Warren) Mayfair Music Corp. (Ascap) :58. / A Sleepin’ Bee (Harold Arlen & Truman Capote) Harwin Music Corp. (Ascap) 2:01. / Interlude (Pete Rugolo & Bob Russell) Leslie Music Corp. (Ascap) 4:17.” Handwriting in blue ink reads: “Female”

CopyrightThis Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). For more information, see http://rightsstatements.org/vocab/InC/1.0/
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Medium: polyvinyl chloride; paper (fiber product); ink
Object number: 1997.342.1414.A,.B
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Medium: polyvinyl chloride; paper (fiber product); ink
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