A New York VS Conn., Battle: A Rappers Throwdown, at South Norwalk Comm., Center, Norwalk, CT, October 5, 1984.

Party flyers were a staple in the early years of Hip-Hop and hard-copy invitations were the main medium for communicating information and promoting an event. The flyers symbolized many key appearances, acts, conventions, DJ performances, and contests in the Hip-Hop scene. Many flyers were created by local graffiti artists such as Buddy Esquire and Phase 2. The flyers were often presented by Hip-Hop promoters, DJs, and MCs who hosted the parties. Money was given to the artist to draw creative art and graphics for about $40-$60 for approximately 1,000 party flyers. The parks’ open public spaces have provided the perfect venues for park jams, impromptu dance-offs, DJ battles, and rap battles that established the sound, fashion, art, and message of Hip-Hop. Most of the Hip-Hop parties were a space for positivity where many of the Hip-Hop community could escape the realities of racism that included police brutality, drug abuse, and gang violence in their surrounding communities.

Many of the original Hip-Hop parties took place at local roller rinks, community centers, parks, and clubs. Roller rinks were an important cultural site for fun in the late 70s and 80s where adults and teens would attend roller discos and Hip-Hop parties.  The space would be used as a place for DJs to spin, rappers to show their talents, and for breakers to showcase their dancing skills on the large skate floor. Community centers were another important space in the early years of Hip-Hop for youth to gather and escape their everyday life. Additionally, community centers and recreation centers were the original spaces where DJ Kool Herc would spin in his early era of DJing. The community centers such as the Bronx River Center and the PAL were usually located in the middle of the projects. But local promoters would give parties and give money back to the center for books and trips for the local kids in the community.

Wayne Garland was a popular ventriloquist since his early high school years. Born and raised in New York, Wayne had four ventriloquist dolls; GG (Goody-Goody), Libra is a Gay Doll, Blood Cloud a West Indies doll, and Tom, a look-a-like to Clark Gable that has all of his strong political views. His most popular and oldest doll was Charlie the Rapping dummy who loved pretty ladies and was a part of Wayne’s act for five years. Signed to Sugar Hill in 1981, Wayne and Charlie performed at many of the early Hip-hop parties.

Heartbeat Brothers is a Hip-Hop group from New York signed to Elite Records. Members included Lord Kool-Gee and Greg-G. The group released singles such as “Growing Up” in 1985 and “Can We Do This” and “Bring In The Bassline” in 1989. produced by Lord Kool-Gee and Paul C.