Sound 2 Productions Presents, The Show of the Year, Featuring The Real Roxanne, Dr. Shock, Choice MCs, South Norwalk Community Center, Norwalk, CT May 24, 1985
Party flyers were a staple in the early years of Hip-Hop and hard-copy invitations were the main medium for communicating information and promoting an event. The flyers symbolized many key appearances, acts, conventions, DJ performances, and contests in the Hip-Hop scene. Many flyers were created by local graffiti artists such as Buddy Esquire and Phase 2. The flyers were often presented by Hip-Hop promoters, DJs, and MCs who hosted the parties. Money was given to the artist to draw creative art and graphics for about $40-$60 for approximately 1,000 party flyers. The parks’ open public spaces have provided the perfect venues for park jams, impromptu dance-offs, DJ battles, and rap battles that established the sound, fashion, art, and message of Hip-Hop. Most of the Hip-Hop parties were a space for positivity where many of the Hip-Hop community could escape the realities of racism that included police brutality, drug abuse, and gang violence in their surrounding communities.
Many of the original Hip-Hop parties took place at local roller rinks, community centers, parks, and clubs. Roller rinks were an important cultural site for fun in the late 70s and 80s where adults and teens would attend roller discos and Hip-Hop parties. The space would be used as a place for DJs to spin, rappers to show their talents, and for breakers to showcase their dancing skills on the large skate floor. Community centers were another important space in the early years of Hip-Hop for youth to gather and escape their everyday life. Additionally, community centers and recreation centers were the original spaces where DJ Kool Herc would spin in his early era of DJing. The community centers such as the Bronx River Center and the PAL were usually located in the middle of the projects. But local promoters would give parties and give money back to the center for books and trips for the local kids in the community.
The Real Roxanne (Adelaida Martinez, b. 1967) is a female Hip-Hop artist from Brooklyn, New York. In the 1980s she along with Roxanne Shante, and many others were engaged in the Roxanne Wars, which was a series of answer records inspired by UTFO's hit song "Roxanne, Roxanne." In 1986, she scored her biggest by working with Howie Tee on the single "Bang Zoom (Let's Go-Go)," which reached No. 11 in the UK Singles Chart.
Choice MCs is a Hip-Hop group from Brooklyn, New York. The members included Fresh Gordon (Gordon Pickett, b. unknown), Jeffery D (Jeffery Darling, b. unknown), Kiethy B (Kieth Bazmore, b. unknown), and Stevie D. (Steve Dunn, b. unknown). Two of their popular songs included “Brooklyn Style” on Rocky Records in 1985 and “Beat of The Street” in 1985 on Tommy Boy.
