A City Wide Jam Session Featuring The Real Roxanne, Heartbeat Bro's, DJ Dr. Shock, and Fearless 4, New Haven, CT

Party flyers were a staple in the early years of Hip-Hop and hard-copy invitations were the main medium for communicating information and promoting an event. The flyers symbolized many key appearances, acts, conventions, DJ performances, and contests in the Hip-Hop scene. Many flyers were created by local graffiti artists such as Buddy Esquire and Phase 2. The flyers were often presented by Hip-Hop promoters, DJs, and MCs who hosted the parties. Money was given to the artist to draw creative art and graphics for about $40-$60 for approximately 1,000 party flyers. The parks’ open public spaces have provided the perfect venues for park jams, impromptu dance-offs, DJ battles, and rap battles that established the sound, fashion, art, and message of Hip-Hop. Most of the Hip-Hop parties were a space for positivity where many of the Hip-Hop community could escape the realities of racism that included police brutality, drug abuse, and gang violence in their surrounding communities.

Many of the original Hip-Hop parties took place at local roller rinks, community centers, parks, and clubs. Roller rinks were an important cultural site for fun in the late 70s and 80s where adults and teens would attend roller discos and Hip-Hop parties. The space would be used as a place for DJs to spin, rappers to show their talents, and for breakers to showcase their dancing skills on the large skate floor. Community centers were another important space in the early years of Hip-Hop for youth to gather and escape their everyday life. Additionally, community centers and recreation centers were the original spaces where DJ Kool Herc would spin in his early era of DJing. The community centers such as the Bronx River Center and the PAL were usually located in the middle of the projects. But local promoters would give parties and give money back to the center for books and trips for the local kids in the community.

The Real Roxanne (Adelaida Martinez, b. 1967) is a female Hip-Hop artist from Brooklyn, New York. In the 1980s she along with Roxanne Shante, and many others were engaged in the Roxanne Wars, which was a series of answer records inspired by UTFO's hit song "Roxanne, Roxanne." In 1986, she scored her biggest by working with Howie Tee on the single "Bang Zoom (Let's Go-Go)," which reached No. 11 in the UK Singles Chart.

Heartbeat Brothers is a Hip-Hop group from New York signed to Elite Records. Members included Lord Kool-Gee and Greg-G. The group released singles such as “Growing Up” in 1985 and “Can We Do This” and “Bring In The Bassline” in 1989. produced by Lord Kool-Gee and Paul C.

The Fearless Four was made up of four MCs and two DJs, including Master O.C. (Oscar Rodriquez, Jr.). The old school Hip-Hop group featured MCs The Great Peso, Devastating Tito, Mighty Mike C, and DLB alongside DJs Master O.C. and Krazy Eddie. Their Fearless Four’s two biggest rap hits were “Rockin’ It,” which released in 1982, and “Problems of the World Today,” which followed in 1983. It was the first crew to be signed to a major label, Elektra Records. The group only released one studio album, Creepin' up on Ya that was released in 1994.