Brothers Disco, DJ Breakout, DJ Baron, The Funky 4 Plus 1, also The Cold Crush Crew, DJ Charlie Chase, DJ Tony-Tone, Whipper Whip, Dota-Rock, Mr. T., Easy A.D., at the Ecstasy Garage Disco, New York, NY, February 17, 1980

Party flyers were a staple in the early years of Hip-Hop and hard-copy invitations were the main medium for communicating information and promoting an event. The flyers symbolized many key appearances, acts, conventions, DJ performances, and contests in the Hip-Hop scene. Many flyers were created by local graffiti artists such as Buddy Esquire and Phase 2. The flyers were often presented by Hip-Hop promoters, DJs, and MCs who hosted the parties. Money was given to the artist to draw creative art and graphics for about $40-$60 for around 1,000 party flyers. The parks’ open public spaces have provided the perfect venues for park jams, impromptu dance-offs, and rap battles that established the sound, fashion, art, and message of Hip-Hop. Most of the Hip-Hop parties were a space for positivity where many of the Hip-Hop community could escape the realities of racism that included police brutality, drug abuse, and gang violence in their surrounding communities.

The Ecstasy Garage had been originally used as an after-hour club founded and owned by Arthur Armstrong (Army, Art Armstrong). Mean Gene was the house DJ and eventually became the manager of the club. The first Ecstasy was on Jerome Ave, but the second Ecstasy Garage was located on Macomb’s Road. Arthur was the house DJ and at one point and time the Grand Wizzard Theodore. Ecstasy Garage Disco was open every Friday and Saturday and occasionally on Sundays.

DJ Breakout/DJ Baron
Promoter and DJ for Funky Four + 1. DJ Breakout and DJ Baron are true Hip-Hop pioneers and very important to this culture era and was known as the Brothers Disco. As promoters and DJs for the Funky 4 plus 1, the Brothers had the biggest sound system playing from park to park. The Brothers Disco were not cut masters like Grand Wizard Theodore, Grand Master Flash, or Charlie Chase rather, they promoted a lot of historical early Hip-Hop Park jams.

Funky 4+1
Funky 4+1 More included K.K. Rockwell (Kevin Smith, b. unknown), Sha-Rock (Sharon Green, b. 1962), Keith Keith (Keith Caesar, b. unknown), Rahiem (Guy Todd Wiliams, b. unknown) until 1979 when he joined Grandmaster Flash and the Furious Five, Lil’ Rodney C (Rodney Stone, b. unknown), MC Jazzy Jeff (Jeff Miree, b. 1962) D.J. Baron (Baron Chappell, b. unknown) and D.J. Breakout (Keith Williams, b. unknown). The Funky 4+1 More is considered a legendary Hip-Hop group emerging out of the South Bronx, forming at the end of the disco era in 1978. Funky 4+1 More was one of the first battle groups, the first rap group to have a female MC, the first rap group to be signed by a major record label, and the first rap group to perform live on national television. The group performed ‘That’s the Joint’ on Saturday Night Live, February 1981. Their debut single was the 15-min track ‘Rappin and Rocking the House’ released in 1979, which was the same year they signed with Enjoy Records for three months then signed with Sugar Hill Records where they released ‘That’s the Joint’ in 1980. In 1979 Rahiem left the group to join Grandmaster Flash & the Furious Five, then in 1981 Lil Rodney C and KK Rockwell left to form a duo called Double Trouble. In 1983, Sha-Rock formed US Girls with Debbie D and Lisa Lee.

Cold Crush Brother’s original lineup consisted of DJ Tony Tone (Angelo King), Easy AD (Adrian Harris), DJ Charlie Chase (Carlos Mandes, b. 1959), Grandmaster Caz (Curtis Brown, b. 1960), Almighty KG (Kenneth Pounder), JDL (Jerry Dee Lewis), and Money Ray (Eric Hoskins). Whipper Whip (James Whipper) and DotA-Rock (Darryl Mason) were original members, but eventually, Whipper Whip and Dot-A-Rock left and joined the Fantastic Five, which they considered to be a more established group at the time. Cold Crush Brother member, DJ Tony Tone came up with the name, saying the name Cold Crush meant anybody could get crushed, cold crushed, no remorse. The Cold Crush Brothers were known for their remarkable routines which included harmonies, melodies, and stage-stomping performances. The Cold Crush Brothers set the standard for emceeing. They built the reputation as the Rolling Stones of Hip Hop. Because of the attention they began to attract, many groups would try to battle them to gain Rap credibility and Hip-Hop superiority.