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Epiphone Casino Electric Guitar Formerly Owned by Howlin' Wolf
Epiphone Casino Electric Guitar Formerly Owned by Howlin' Wolf
Epiphone Casino Electric Guitar Formerly Owned by Howlin' Wolf

Epiphone Casino Electric Guitar Formerly Owned by Howlin' Wolf

Manufacturer Epiphone, Inc.
Date1965
Mediummother of pearl; chromium; maple; mahongany, rosewood
DimensionsOverall (HWD) (overall): 106 1/2 × 7 3/16 × 40 7/8 in. (270.511 × 18.288 × 103.886 cm)
Credit LineMoPOP permanent collection
Object number2001.116.1
Text Entries

Chester Burnett, the Howlin’ Wolf, enjoyed playing this 1965 Epiphone Casino electric guitar so much that he had it pictured on his business cards. 

  

Wolf (1910-1976) was a towering pioneer of Electric Blues. He acquired his first guitar from his father at the age of 18. He learned from the best: Charlie Patton taught him guitar, Son House showed him how to use a slide, and Sonny Boy Williamson II introduced him to harmonica. While working on his father’s farm throughout the late 1920’s and 1930s, Wolf built his reputation as a powerful performer by accompanying himself on guitar and harmonica for weekend gigs. 

 

Following four years of Army service while stationed in Seattle, he moved to West Memphis, Arkansas, in 1948 and formed his own band. The addition of guitarist Willie Johnson highlighted the ferociousness of Wolf’s music, as heard on “Moanin’ at Midnight” and “How Many More Years” from his first recording session in 1951. By 1953, Wolf had settled in Chicago and the next year found a new guitarist named Hubert Sumlin. Sumlin’s wicked guitar lines were a mainstay of Wolf’s down-and-dirty sound for the rest of the Bluesman’s career.    

  

Wolf’s songs, including “Spoonful,” “Smokestack Lightning,” “Back Door Man,” and “Killing Floor,” were a primal influence on artists such as the Rolling Stones, the Doors, Eric Clapton, and Jimi Hendrix. He was a large, imposing presence and drew raucous crowds wherever he performed, with his powerful unique voice, tight band, and wild stage act featuring suggestive hip thrusting, crawling on the floor, and dancing on tables and bars. 

Hollowbody electric guitar with sunburst finished body with two “f”-shaped soundholes, chrome hardware, neck with mother-of-pearl inlays, black-and-white laminated pickguard, Bigsby vibrato tailpiece, and gold volume and tone knobs.
CopyrightThe organization that has made the Item available reasonably believes that the Item is not restricted by copyright or related rights, but a conclusive determination could not be made. For more information, see http://rightsstatements.org/vocab/NKC/1.0/
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