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The Big City-Wide Easter Sunday Throwdown with The Fearless 4 MCs, Cold Crush Brothers, Kool DJ AJ, Chief Rocker Busy Bee, Hypnotizing 5 MCs, MC Spoonie Gee, at Harlem World, New York, NY, April 11, 1980
The Big City-Wide Easter Sunday Throwdown with The Fearless 4 MCs, Cold Crush Brothers, Kool DJ AJ, Chief Rocker Busy Bee, Hypnotizing 5 MCs, MC Spoonie Gee, at Harlem World, New York, NY, April 11, 1980

The Big City-Wide Easter Sunday Throwdown with The Fearless 4 MCs, Cold Crush Brothers, Kool DJ AJ, Chief Rocker Busy Bee, Hypnotizing 5 MCs, MC Spoonie Gee, at Harlem World, New York, NY, April 11, 1980

Performing artist Cold Crush Brothers
Performing artist Spoonie Gee
Performing artist Fearless 4 Mcs
Performing artist Hypnotizing Five
Emcee Busy Bee
DJ Kool DJ A.J.
Venue Harlem World
DateApril 11, 1980
Mediumink; paper (fiber product)
DimensionsOverall (overall): 28.1 x 20.3 cm (11 1/16 x 8 in.)
Credit LineMoPOP permanent collection
Object number2000.665.17
Text Entries

Party flyers were a staple in the early years of Hip-Hop and hard-copy invitations were the main medium for communicating information and promoting an event. The flyers symbolized many key appearances, acts, conventions, DJ performances, and contests in the Hip-Hop scene. Many flyers were created by local graffiti artists such as Buddy Esquire and Phase 2. The flyers were often presented by Hip-Hop promoters, DJs, and MCs who hosted the parties. Money was given to the artist to draw creative art and graphics for about $40-$60 for approximately 1,000 party flyers. The parks’ open public spaces have provided the perfect venues for park jams, impromptu dance-offs, DJ battles, and rap battles that established the sound, fashion, art, and message of Hip-Hop. Most of the Hip-Hop parties were a space for positivity where many of the Hip-Hop community could escape the realities of racism that included police brutality, drug abuse, and gang violence in their surrounding communities.

Known as the Harlem World Cultural and Entertainment Complex everyone called it “The World.” Located at 116th and Malcolm X Boulevard (Lenox Avenue), from 1978 to 1985, it was the home of legendary Disco. Harlem World was a three-story club with a lighted dance floor, chandeliers, wall-to-wall gold shag carpeting, mirrored walls, and a one-of-a-kind, one-hundred-foot lightning bolt-shaped bar.  Chuck Foster was the co-owner of the Harlem World and was known as one of the men that were responsible for building Harlem World before becoming an owner. Harlem World hosted some of Rap music’s most historic M.C. battles and many of Rap’s earliest lyricists who birthed the idea to put Rap music on records were found at Harlem World. Anyone who was important came to perform at Harlem World such as Busy Bee, Love Bug Starski, Grand Master Flash & the Furious, Fantastic Romantic, Lady Smiley, Cold Crush, L. A. Sunshine, Treacherous Three, Doug E. Fresh, and Kool Moe Dee.

Cold Crush Brother’s original lineup consisted of DJ Tony Tone (Angelo King), Easy AD (Adrian Harris), DJ Charlie Chase (Carlos Mandes, b. 1959), Grandmaster Caz (Curtis Brown, b. 1960), Almighty KG (Kenneth Pounder), JDL (Jerry Dee Lewis), and Money Ray (Eric Hoskins). Whipper Whip (James Whipper) and DotA-Rock (Darryl Mason) were original members, but eventually, Whipper Whip and Dot-A-Rock left and joined the Fantastic Five, which they considered to be a more established group at the time. Cold Crush Brother member, DJ Tony Tone came up with the name, saying the name Cold Crush meant anybody could get crushed, cold crushed, no remorse. The Cold Crush Brothers were known for their remarkable routines which included harmonies, melodies, and stage-stomping performances. The Cold Crush Brothers set the standard for emceeing. They built the reputation as the Rolling Stones of Hip Hop. Because of the attention they began to attract, many groups would try to battle them to gain Rap credibility and Hip-Hop superiority.

Spoonie Gee (Gabriel Jackson, b. 1963), is one of the earliest Rap artists, and one of the few to have released rap records in the 1970s. some of the themes in his music were precursors of Gangsta Rap. Spoonie Gee received his 'Spoonie' nickname as a child because the spoon was the only utensil that he used to eat with. Spoonie's name was suggested, and he recorded "Spoonin' Rap", which was released on Brown's Sound of New York, USA imprint, featuring a lyric that included jailhouse references that would later become common in Gangsta Rap, and with echo applied to his vocals. Spoonie G was a founding member of the Treacherous Three, along with L.A. Sunshine and Kool Moe Dee. Spoonie Gee has been described as "the original gangsta rapper”. His career took off once again in 1987 with his debut album The Godfather of Rap, produced by Marley Marl and Teddy Riley, and issued on the Tuff City label.

The Fearless Four was made up of four MCs and two DJs, including Master O.C. (Oscar Rodriquez, Jr.), MCs The Great Peso, Devastating Tito, Mighty Mike C, and DLB alongside DJs Master O.C. and Krazy Eddie. Their Fearless Four’s two biggest Rap hits were “Rockin’ It,” released in 1982, and “Problems of the World Today,” which followed in 1983. It was the first crew to be signed to a major label, Elektra Records. The group only released one studio album, Creepin' up on Ya, which was released in 1994.

Known for his comedic rhymes, old school MC, Busy Bee/Chief Rocker Busy Bee/Busy Bee Starski (David Parker, b. 1962) gained a large following from MC rap battles in the Bronx, Staten Island, Brooklyn, and New Jersey. Busy Bee who was known for his fashion sense was a member of the Cassanova Gang who were also admired for their dress style. When he became a famous local DJ, his fashion sense also added to his popularity. He was called “Busy Bee Starski” because he was known to switch from one rap group to the next and his peers said his rhyming style was like Love Bug Starski. Busy Bee worked with several New York’s best Hip-Hop DJs, including Afrika Bambaataa and Grandmaster Flash in the late 1970s and early 1980s. Busy Bee’s legacy as an expert jive-rapper known made an impact on the early years of HipHop for his humorous and crowd-motivating rhymes.

Yellow, orange, and black shading on beige paper.  Illustrations in both upper corners of a man standing behind a woman dressed in a leotard with rabbit ears on her head. Photographic images of The Fearless 4 MCs and The Cold Crush Brothers. Black ink listing performers, location and details of event.
CopyrightThis work is issued under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) License. For more information, go to https://creativecommons.org/licenses/by-nc-sa/4.0/
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"A Rockin Shockin Party" The Fresh Three MC's, Cheif Rocker Busy Bee, Brothers Three, and others, Stratford Roller Rink, March 17, 1984
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Date: 1984
Medium: ink; paper (fiber product)
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New Music Seminar First Place MC: Award Presented to Chief Rocker Busy Bee
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Medium: metal;wood
Object number: 1999.64.1
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