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Easter Disco Gala: Eddie Cheba and Crew, The Together Brothers, DJ Mojo, at Parkside Elegant, Bronx, New York, NY, April 14, 1979
Easter Disco Gala: Eddie Cheba and Crew, The Together Brothers, DJ Mojo, at Parkside Elegant, Bronx, New York, NY, April 14, 1979

Easter Disco Gala: Eddie Cheba and Crew, The Together Brothers, DJ Mojo, at Parkside Elegant, Bronx, New York, NY, April 14, 1979

Guest performer The Together Brothers
Guest performer Eddie Cheba and The Cheba Crew
DJ DJ Mojo
Venue Parkside Elegant
Production company Godfather's Productions Inc.
Date1979
Mediumink; paper (fiber product)
DimensionsOverall (HW): 8 1/2 × 11 in. (21.59 × 27.94 cm)
Credit LineMoPOP permanent collection
Object number1999.757.18
Text Entries

Party flyers were a staple in the early years of Hip-Hop and hard-copy invitations were the main medium for communicating information and promoting an event. The flyers symbolized many key appearances, acts, conventions, DJ performances, and contests in the Hip-Hop scene. Many flyers were created by local graffiti artists such as Buddy Esquire and Phase 2. The flyers were often presented by Hip-Hop promoters, DJs, and MCs who hosted the parties. Money was given to the artist to draw creative art and graphics for about $40-$60 for approximately 1,000 party flyers. The parks’ open public spaces have provided the perfect venues for park jams, impromptu dance-offs, DJ battles, and rap battles that established the sound, fashion, art, and message of Hip-Hop. Most of the Hip-Hop parties were a space for positivity where many of the Hip-Hop community could escape the realities of racism that included police brutality, drug abuse, and gang violence in their surrounding communities.

Many of the original Hip-Hop parties took place at local roller rinks, community centers, parks, and clubs. Roller rinks were an important cultural site for fun in the late 70s and 80s where adults and teens would attend roller discos and Hip-Hop parties.  The space would be used as a place for DJs to spin, rappers to show their talents, and for breakers to showcase their dancing skills on the large skate floor. Community centers were another important space in the early years of Hip-Hop for youth to gather and escape their everyday life. Additionally, community centers and recreation centers were the original spaces where DJ Kool Herc would spin in his early era of DJing. The community centers such as the Bronx River Center and the PAL were usually located in the middle of the projects. But local promoters would give parties and give money back to the center for books and trips for the local kids in the community.

Eddie Cheeba was a pioneering DJ in New York in the 1970s, considered to be the number one club DJ. Cheeba was a close friend of DJ Hollywood and they frequently influenced each other's styles. Cheeba is credited with inspiring Def Jam Recordings founder, Russell Simmons to pursue a career in Hip-Hop when Simmons heard Cheeba perform in Harlem in 1977. He is credited with creating the old-school rhyme: “It’s on and on and on on and on like the hot butter on the what?”

CopyrightThis work is issued under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) License. For more information, go to https://creativecommons.org/licenses/by-nc-sa/4.0/
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