Looking For A Jam?, The Supreme Team, Dr. Rock and the Force M.C.'s, The Dida Dolls, T-Ski Valley, others, B's Castle, September 24, 1982

Party flyers were a staple in the early years of Hip-Hop and hard-copy invitations were the main medium for communicating information and promoting an event. The flyers symbolized many key appearances, acts, conventions, DJ performances, and contests in the Hip-Hop scene. Many flyers were created by local graffiti artists such as Buddy Esquire and Phase 2. The flyers were often presented by Hip-Hop promoters, DJs, and MCs who hosted the parties. Money was given to the artist to draw creative art and graphics for about $40-$60 for approximately 1,000 party flyers. The parks’ open public spaces have provided the perfect venues for park jams, impromptu dance-offs, DJ battles, and rap battles that established the sound, fashion, art, and message of Hip-Hop. Most of the Hip-Hop parties were a space for positivity where many of the Hip-Hop community could escape the realities of racism that included police brutality, drug abuse, and gang violence in their surrounding communities.

Many of the original Hip-Hop parties took place at local roller rinks, community centers, parks, and clubs. Roller rinks were an important cultural site for fun in the late 70s and 80s where adults and teens would attend roller discos and Hip-Hop parties.  The space would be used as a place for DJs to spin, rappers to show their talents, and for breakers to showcase their dancing skills on the large skate floor. Community centers were another important space in the early years of Hip-Hop for youth to gather and escape their everyday life. Additionally, community centers and recreation centers were the original spaces where DJ Kool Herc would spin in his early era of DJing. The community centers such as the Bronx River Center and the PAL were usually located in the middle of the projects. But local promoters would give parties and give money back to the center for books and trips for the local kids in the community.

The Supreme Team was a Hip-Hop radio show and rap duo including Sedivine the Mastermind (Larry Price, b. unknown) and Just Allah the Superstar (Ronald Larkins Jr., b. unknown) popular in the late 1970s to early 1980s. The group's radio show started in 1979 on WHBI-FM 105.9, broadcasting from Newark, New Jersey and serving North Jersey and New York City.

T-Ski Valley (Tyrone Cox, b. unknown) was an early New York rapper born on March 9th in the Bronx. TSki began his musical career at the age of fourteen. In 1978, T-Ski joined Kool Herc as an M.C. (Fly Force) and joined up with A.J. & Busy Bee as a D.J. T-Ski went on to produce groups including Just Four and Chapter III.

The Force M.D.'s/Force MC's (MD stands for Musical Diversity) was a hip-hop/R&B group that was formed in 1981 in Staten Island, New York. The hip-hop/R&B hybrid group — which was foundational to the new jack swing movement of the 1980s — signed to Tommy Boy Records in 1984. They are best known for two classics, "Tender Love" and "Love is a House". They are considered major forerunners of the new jack swing movement. The group was composed of brothers Stevie D. (Stevie D. Lundy), T.C.D (Antoine Lundy, d. 1998), and Khalil (Rodney Lundy), DJ Dr. Rock (d. 1996), along with their uncle Jessie Lee Daniels (1962-2022). Later, friends Trisco (Trisco Pearson, d. 2016) and Mercury (Charles Nelson, d. 1995) from the Mariners Harbor housing projects joined the group.