The New Zodiac II Presents Busy Bee, Mikey-D & The L.A. Posse and Sparky D, Bronx, NY, November 20, 1987

Party flyers were a staple in the early years of Hip-Hop and hard-copy invitations were the main medium for communicating information and promoting an event. The flyers symbolized many key appearances, acts, conventions, DJ performances, and contests in the Hip-Hop scene. Many flyers were created by local graffiti artists such as Buddy Esquire and Phase 2. The flyers were often presented by Hip-Hop promoters, DJs, and MCs who hosted the parties. Money was given to the artist to draw creative art and graphics for about $40-$60 for approximately 1,000 party flyers. The parks’ open public spaces have provided the perfect venues for park jams, impromptu dance-offs, DJ battles, and rap battles that established the sound, fashion, art, and message of Hip-Hop. Most of the Hip-Hop parties were a space for positivity where many of the Hip-Hop community could escape the realities of racism that included police brutality, drug abuse, and gang violence in their surrounding communities.

Many of the original Hip-Hop parties took place at local roller rinks, community centers, parks, and clubs. Roller rinks were an important cultural site for fun in the late 70s and 80s where adults and teens would attend roller discos and Hip-Hop parties. The space would be used as a place for DJs to spin, rappers to show their talents, and for breakers to showcase their dancing skills on the large skate floor. Community centers were another important space in the early years of Hip-Hop for youth to gather and escape their everyday life. Additionally, community centers and recreation centers were the original spaces where DJ Kool Herc would spin in his early era of DJing. The community centers such as the Bronx River Center and the PAL were usually located in the middle of the projects. But local promoters would give parties and give money back to the center for books and trips for the local kids in the community.

Known for his comedic rhymes, old school MC, Busy Bee/Chief Rocker Busy Bee/Busy Bee Starski (David Parker, b. 1962) gained a large following from MC rap battles in the Bronx, Staten Island, Brooklyn, and New Jersey. Busy Bee who was known for his fashion sense was a member of the Cassanova Gang who were also admired for their dress style. When he became a famous local DJ, his fashion sense also added to his popularity. He was called “Busy Bee Starski” because he was known to switch from one rap group to the next and his peers said his rhyming style was like Love Bug Starski. Busy Bee worked with several New York’s best Hip-Hop DJs, including Afrika Bambaataa and Grandmaster Flash in the late 1970s and early 1980s. Busy Bee’s legacy as an expert jive-rapper known made an impact on the early years of HipHop for his humorous and crowd-motivating rhymes.

Sparky Dee (Doreen C. Broadnax, b. 1965) is a Hip-Hop artist from Brooklyn, New York emerging in the early 1980s and was a member of the local Hip-Hop group, The Playgirls. The group consisted of City Slim and Mo Ski. After joining the group, The Playgirls recorded "Our Picture of a Man" for Sutra Records in 1983; later released in 1984.[6] During her time with the group, Broadnax was introduced to rapper and music producer Spyder D. With the success and hype of the Roxanne Wars, Roxanne Shante and Sparky Dee released "Round One, Roxanne Shanté vs Sparky Dee" on Spin Records which included a battle track, in which the two rappers freestyle and diss each other. Sparky Dee is known as one of the leading female battle rappers in the mid-1980s, gaining attention through the Roxanne Wars.

Mikey D & The L.A. Posse was an early 1980s Hip-Hop group. The group’s members included Mikey Dee (Michael Anthony Deering, b. 1967),DJ Johnny Quest, Michael Deering, and Paul McKasty