'Tis Pity She's a Whore at Re-Bar, Seattle, WA, April 4 - May 11, 1997

This poster, a spoof of a Family Circus comic, advertises a modern adaptation of John Ford’s 17th century tragedy, ‘Tis Pity She’s a Whore, presented by Greek Active—which often performed queer interpretations of classic plays at Re-Bar—and Squawky Quean Productions in Spring 1997. David Morden (b. unknown) directed this tale of incestuous love between a brother and a sister in Parma, Italy, featuring Kristin Hubbard (b. unknown), Patrick Sexton (b. unknown), Gregory Musick (b. unknown), Matthew Redding (1956 – 2006), Annie Brophy Sitter (b. unknown), Jonathan Hochberg (b. unknown), Shawna Wilson (b. unknown), and Erin McGaughan (b. unknown). 

Steve Wells and Patrick “Pit” Kwiecinski opened Re-Bar in January 1990 at 1114 Howell Street, Seattle, Washington, which had long been a safe space for Seattle’s LGBTQ community. The Night Hawk Tavern (or Nite Hawk) opened in the 1930s, creating a center of gay nightlife featuring cabaret, followed by Thirsty’s in the 1970s, which then became Axel Rock, a dance-focused venue, in the 1980s, and finally Sparks Tavern, which added full-length stage plays, before Re-Bar moved in. Until 2020, when Re-Bar, like many venues, closed indefinitely during the COVID-19 pandemic, they hosted disco nights, art exhibits, theatre, drag, burlesque, and live bands, supporting generations of LGBTQ patrons and performers. KEXP’s Riz Rollins got his start as a DJ, becoming a big part of Seattle’s Black music scene, David Schmader put on his first three plays, and drag performer and comedian Dina Martina was born at Re-Bar. The venue also hosted one of the longest running poetry nights in the West, Seattle Poetry Slam, and a weekly Sunday dance night, Flammable. On September 13, 1991, Re-Bar also hosted the infamous release party for Nirvana’s second album, Nevermind. 
 

This poster was designed by Skylar Fein (b. unknown) and printed by BSK Screenprinting. Shane Bastian (b. unknown), Nick Sherman (b. unknown), and Jeff Kleinsmith (b. unknown) started BSK Screenprinting in a Seattle basement in 1992. They eventually had an office at 1419 10th Ave in Capitol Hill and were responsible for numerous well-known music posters in the early stages of Seattle’s Punk and Rock scenes. Seattle’s 1990s graphic aesthetic was developed here, where Art Chantry (b. 1954), Tae Won Yu (b. unknown), Ellen Forney (b. 1968), Ed Fotheringham (b. unknown), Hank Trotter (b. unknown), Joe Newton (b. unknown), and dozens of other artists had their work printed for local rock shows, bands, theaters, and other businesses. BSK became BSK(T), sometimes stylized as BSKt on prints, with the addition of Brian Taylor (b. unknown), who later formed a short-lived press called BLT (Brian Leroy Taylor), before joining Kleinsmith, Jesse LeDoux (b. unknown), and Jacob McMurray (b. 1972) to form Patent Pending Press, which ran from 2002 to 2008.