Big Apple Productions presents A Sneakers & Dungarees Party at North End Rec Center, Waterbury, Conn. Saturday, October 16, 1982

Party flyers were a staple in the early years of Hip-Hop and hard-copy invitations were the main medium for communicating information and promoting an event. The flyers symbolized many key appearances, acts, conventions, DJ performances, and contests in the Hip-Hop scene. Many flyers were created by local graffiti artists such as Buddy Esquire and Phase 2. The flyers were often presented by Hip-Hop promoters, DJs, and MCs who hosted the parties. Money was given to the artist to draw creative art and graphics for about $40-$60 for approximately 1,000 party flyers. The parks’ open public spaces have provided the perfect venues for park jams, impromptu dance-offs, DJ battles, and rap battles that established the sound, fashion, art, and message of Hip-Hop. Most of the Hip-Hop parties were a space for positivity where many of the Hip-Hop community could escape the realities of racism that included police brutality, drug abuse, and gang violence in their surrounding communities.

Many of the original Hip-Hop parties took place at local roller rinks, community centers, parks, and clubs. Roller rinks were an important cultural site for fun in the late 70s and 80s where adults and teens would attend roller discos and Hip-Hop parties.  The space would be used as a place for DJs to spin, rappers to show their talents, and for breakers to showcase their dancing skills on the large skate floor. Community centers were another important space in the early years of Hip-Hop for youth to gather and escape their everyday life. Additionally, community centers and recreation centers were the original spaces where DJ Kool Herc would spin in his early era of DJing. The community centers such as the Bronx River Center and the PAL were usually located in the middle of the projects. But local promoters would give parties and give money back to the center for books and trips for the local kids in the community.

Funky 4 + 1 included K.K. Rockwell (Kevin Smith, b. unknown), Sha-Rock (Sharon Green, b. 1962), Keith Keith (Keith Caesar, b. unknown), Rahiem (Guy Todd Wiliams, b. unknown) until 1979 when they joined Grandmaster Flash and the Furious Five, Lil’ Rodney C (Rodney Stone, b. unknown), MC Jazzy Jeff (Jeff Miree, b. 1962) D.J. Baron (Baron Chappell, b. unknown) and D.J. Breakout (Keith Williams, b. unknown). The Funky 4 + 1 is considered a legendary Hip-Hop group emerging out of the South Bronx, forming at the end of the Disco era in 1978. Funky 4 + 1 was one of the first battle groups, the first Rap group to have a female MC, the first Rap group to be signed by a major record label, and the first rap group to perform live on national television (Funky 4 + 1 performed ‘That’s the Joint’ on Saturday Night Live, February 1981). Their debut single was the 15-min track “Rappin and Rocking the House” released in 1979, which was the same year they signed with Enjoy Records for three months then signed with Sugar Hill Records where they released “That’s the Joint” in 1980.

Wanda Dee (Lawanda McFarland, b. 1963) is a Hip-Hop artist and DJ from the Bronx, New York. While still a teenager, she became the first female Hip-Hop DJ and protégée of Hip-Hop DJ Kool Herc, who gave her the stage name "Wanda Dee". She was also introduced to Afrika Bambaataa, who inducted her into his Universal Zulu Nation. She learned deejaying through Hip-Hop's top DJs, performed shows with MC Debbie D, and became a solo artist, releasing scandalous singles like "Blue Eyes" and "I Wanna See You Sweat" in the late 80s and 90s.

MC Debbie D (Debora Hooper) is a female Hip-Hop artist from Harlem but raised in the South Bronx. Debbie D started emceeing in 1977 at park jams in Webster Houses and was a part of the rap group DJ Patty Duke & Jazzy 5 as the only female Emcee, self-titled The Grand Mistress or Queen MC. She also was a member of the all-girl group US Girls with MC Sha-Rock and Lisa Lee. Debbie D also performed with DJ Wanda Dee.