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Looking For The Perfect Beat (Vocal) / Looking For The Perfect Beat (Instrumental)
Looking For The Perfect Beat (Vocal) / Looking For The Perfect Beat (Instrumental)

Looking For The Perfect Beat (Vocal) / Looking For The Perfect Beat (Instrumental)

Performing artist Afrika Bambaataa & Soul Sonic Force
Record company Tommy Boy Music Inc.
Date1983
Mediumpolyvinyl chloride; paper (fiber product); ink
DimensionsOverall (HW): 12 5/16 × 12 1/4 in. (31.274 × 31.115 cm)
Overall (Diameter): 11 7/8 in. (30.163 cm)
Credit LineMoPOP permanent collection
Object number2001.337.31.A,.B
Text Entries

Looking For The Perfect Beat (Vocal) / Looking For The Perfect Beat (Instrumental) is a two-track vinyl released in 1983 by Afrika Bambaataa & Soul Sonic Force. Released under Tommy Boy, this vinyl was produced by Arthur Baker and John Robie. 

 

Leader of the Zulu Nation and known as one of the “Godfathers of Hip-Hop,” Afrika Bambaataa (Lance Taylor, b. 1957) is a DJ, producer, rapper, and songwriter from the Southeast Bronx. As a former gang member, Afrika Bambaataa began DJing at local parties in the early 1970s, playing Funk and Disco records but stood out as a unique and eclectic DJ because he would play records across different genres like Rock, Pop, Salsa, African, and Latin. Afrika Bambaataa also established two Rap crews: the Jazzy 5 and the Soul Sonic Force. Afrika Bambaataa crafted the foundation of Hip-Hop by establishing the five elements or five pillars: DJing, MCing, b-boying, graffiti, and knowledge. Afrika Bambaataa’s impact on Hip-Hop culture has defined the genre as a staple of creativity and expression emerging out of the Bronx. 

 

The Soul Sonic Force also included Mr. Biggs (Ellis Williams, b.1960), Pow Wow (Robert Darrell Allen, b. unknown), The G.L.O.B.E (John Miller, b. unknown), and DJ Jazzy Jay (John Byas, b. 1961). The Soul Sonic Force began as a nine-piece affair with MCs gradually dropping out, including Lisa Lee. She would remain with Bambaataa as part of Cosmic Force and appear on four hugely influential singles, “Zulu Nation Throwdown Part 2,” “Planet Rock,” “Looking For The Perfect Beat,” and “Renegades Of Funk.” Pow Wow also had a hand in producing ‘Planet Rock’, while G.L.O.B.E. was responsible for patenting the ‘MC popping’ technique, a description he preferred over rapping, where he would drop in and out of rhymes at short notice, producing a unique sound effect that resembled ad-libs. He was also responsible for many of the group’s lyrics. The Soul Sonic Force adapted musical and fashion styles that resembled the fashion of Sly and the Family Stone and Parliament-Funkadelic. Many members of the Zulu Nation dressed in African-style clothing, pan-African colors, and many other cultural garbs from countries around the world. 

Vinyl has track listing, artist and record details in black ink.
CopyrightThis work is issued under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) License. For more information, go to https://creativecommons.org/licenses/by-nc-sa/4.0/
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Looking For The Perfect Beat (Vocal) / Looking For The Perfect Beat (Instrumental)
Tommy Boy Music
Date: 1982
Medium: polyvinyl chloride; paper (fiber product); ink
Object number: 1999.425.40.A,.B
Planet Rock + Bonus Beats I / Planet Rock
Afrika Bambaataa & Soul Sonic Force
Date: 1982
Medium: polyvinyl chloride; paper (fiber product); ink
Object number: 1998.587.1.A,.B
Beat Street: Original Motion Picture Soundtrack, Volume 1
Afrika Bambaataa & Soul Sonic Force
Date: 1984
Medium: polyvinyl chloride; paper (fiber product); ink
Object number: 2001.337.15.A-.C
Planet Rock
Afrika Bambaataa & Soul Sonic Force
Date: 1982
Medium: polyvinyl chloride; paper (fiber product); ink
Object number: 1998.663.4
Afrika Bambaataa and The Soulsonic Force at Stages
Afrika Bambaataa & Soul Sonic Force
Date: 1982
Medium: paper (fiber product); ink
Object number: 1998.854.12
Your Taste in Sound Skate Down, at Wheels Roller Rink, Yonkers, NY, April 14, 1982
Afrika Bambaataa & Soul Sonic Force
Date: 1982
Medium: ink; paper (fiber product)
Object number: 1998.854.9
D.J. Afrika Bambaataa and the Soulsonic Force, D.J. Jazzy Jay and the Jazzy 5 M.C.'s, D.J. Theodore, Fantastic 5 M.C.'s, at J.H.S. 131, Bronx, NY, October 24, 1981
Afrika Bambaataa & Soul Sonic Force
Date: October 24, 1981
Medium: ink; paper (fiber product)
Object number: 2000.665.19
Forgive Me Girl (Vocal) + Forgive My Beats / Beat Me Girl (Dub Instrumental) + Auld Lang Syne (Vocal)
Force MDs
Date: 1984
Medium: polyvinyl chloride; paper (fiber product); ink
Object number: 2001.337.42.A,.B
Let Me Love You (Vocal) + Love Beats / Let Me Love You (Instrumental)
Force MDs
Date: 1984
Medium: polyvinyl chloride; paper (fiber product); ink
Object number: 2001.337.49.A,.B
She's Looking Like A Hobo + Buffalo Gals (Trad Square) / Buffalo Gals (Scratch Version)
Malcolm McLaren
Date: 1982
Medium: polyvinyl chloride; paper (fiber product); ink
Object number: 2001.337.4,A,.B
I Need A Beat (Vocal) / I Need A Beat (Zootie Mix) + I Need A Beat (Instrumental)
Def Jam Recordings
Date: 1984
Medium: polyvinyl chloride; paper (fiber product); ink
Object number: 2001.235.6.A,.B
The Big Beat (Vocal Mix) / The Big Beat (Instrumental Mix)
Spoonie Gee
Date: 1983
Medium: polyvinyl chloride; paper (fiber product); ink
Object number: 2001.279.30.A,.B
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